But if you select the correct path, everything could come true. Most the humans usually do not realize half of what was planned. This is the dilemma of poetry.Īnother interpretation, arising from reading, is our dreams and plans. The expanded metaphor “yellow wood” reflects a world filled with vivid ideas and incredible possibilities. Before the readers, there is a sylvan intersection, representing life. Thus, in the phrase “two roads were dispersed in a yellow forest” one can see both literal and symbolic significance. A poet refers to metaphors, simple images, and personification, demonstrating the complexity of decision-making. In Personification in “The Road Not Taken” by Robert Frost essay sample, more attention is paid to stylistic methods of implementing the author’s intention. Robert Frost tries in his own way to interpret irreversible decisions that overturn the established order of things. We were afraid that we would go too far along the wrong path and could not return to the right trail. The present paper attempts to look at this concept of 'binary oppositions' in the poems of Robert Frost namely The Road Not Taken and The Armful.Each of us stood at the crossroads, overcome by doubts and indecisiveness. It also prepares the reader to look through the 'given' constructs in the world, to distinguish between appearance and reality. It also assists in realizing the significance of maintaining vital cultural ideas, and at the same time, rising above cultural stereotypes that may be conflicting to keep pace in the progressing world. It helps in developing potent layers of meaning for a more refined analysis, through a better classification of the thematic features of a text. Comprehending the process of destabilizing the binary oppositions can make one, a competent reader to understand the basis of literary aspects and combinations in the text. It allows the readers an opportunity to travel beyond the conventional dualisms that direct the thinking. Structuralism is that probe with which, the reader is both delighted and challenged by the nuances of language. One of the strategic options not to lose so lies in the 'structuralist' approach. In this process, what she discovers brought her relief from the nagging pain of regret and expands her awareness of her multi-dimensional identity.Ī unidirectional thinking might make one lose many other or other experience. Mancini, invites a 72-year-old woman to redo a fateful choice she had made over fifty years ago and to experience profoundly a life very different from the one she "officially" had chosen so long ago. Had he known and had the courage to embrace the Many Worlds Interpretation of Quantum Physics and/or the metaphysics of Jane Roberts' Seth Material, he might have discovered that every choice he did not make did in fact get actualized, but in another universe, and that he could experience each of those discarded choices. Yet Frost did not have the courage or the metaphysics that could have, indeed, made possible what might otherwise appear impossible: to experience the life consequences of both choices. In one of his poems, Robert Frost posed the problem we all face, often many times: making a choice that, for one reason or another, precludes making a different one. In this write up, the value of the game considers the lexical choices in the poem " The Road Not Taken‛ by Robert Frost in the following categories: nouns, pronouns, adjectives, verbs, lexical categories such as synonymy, antagonymy, contradiction and their significance or effects in the poem. Poets, particularly modern ones, have successfully freed themselves from constraints of what is so called ‚poetic language (Sharma, 2009: 31). Each register has its own characteristics style with certain lexical and grammatical choices. A piece of work cannot be properly understood without a thorough knowledge of the language, which is its medium of expression. It seeks to account for the interpretative effects of a text through close study of its linguistic detail, such as syntactic structuring, semantic deviation, deixis, modality, etc. Stylistics is the study of style of language in literature. This paper attempts to analyse the Lexical Choices in Robert Frost's The Road Not Taken poem from the perspectives of stylistics.
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